Minus The Bear


Minus The Bear
Event on 2017-03-31 20:00:00
with Beach Slang, Bayonne
Over the course of their 15-year career, Minus the Bear have carved out their own unique musical world. This isnt to say theyre impervious to outside influence. Theyve borrowed components from a wide swath of genresthe brainy clangor of New Yorks proto-punk scene, the cerebral buzz of IDM, the poptimist evaluation of hip-hop and R&B, and the grandiose visions of prog rockbut always managed to defy classification. Throughout the first decade of their existence, every new album offered a new musical approach, as seen in the idiosyncratic fretboard gymnastics of Highly Refined Pirates, the glitchy loops of Menos el Oso, or the modernized Fripp-inspired wizardry of Planet of Ice. By the time the band entered our current decade, their knack for reinvention yielded to an emphasis on refinement. Albums like OMNIand Infinity Overhead searched for a middle ground where their myriad of stylistic approaches could all work within the context of a single record. On their sixth album VOIDS, Minus the Bear started with a blank slate, and inadvertently found themselves applying the same starting-from-scratch strategies that fueled their initial creative process. There was a lot of change and uncertainty, says guitarist David Knudson. I think the general vibe of emptiness, replacement, lacking, and longing to fill in the gaps was very present in everyones minds. Change was everywhere. Keyboardist/vocalist Alex Rose took on a more prominent role in composition and handled lead vocal duties on songs like Call the Cops, Tame Beasts, and Robotic Heart, drummer Kiefer Matthias joined the fold, producer Sam Bell lent a fresh set of ears in the studio, and the band returned to their original label home at Suicide Squeeze Records. Minus the Bear were no longer swept along by the momentum that had driven them for the last fifteen years. Instead, they reached a point where they could recalibrate and redefine who they were as a musical entity. The resulting album VOIDS retains many of the bands signature qualitiesthe hedonistic tales of nighttime escapism and candid vignettes of adulthood, the savvy up-tempo beats, the layered and nuanced instrumentation while simultaneously reminding us of the musical wanderlust that initially put them on the map. Album opener Last Kiss immediately establishes the bands renewed fervor. An appropriately dizzying guitar line plunges into a propulsive groove before the chorus unfolds into a multi-tiered pop chorus. From there the album flows into Give & Take, a tightly wound exercise in syncopation that recalls the celebratory pulse of early Bear classics like Fine + 2 Pts while exploring new textures and timbres. Invisible is arguably the catchiest song of the bands career, with Jake Sniders vocal melodies and Knudsons imaginative guitar work battling for the strongest hooks. What About the Boat? reminds us of the math-rock tag that followed the band in their early years, with understated instrumentation disguising an odd-time beat. Erase, recalls the merging of forlorn indie pop and electronica that the band dabbled with on their early EPs, but demonstrates the Bears ongoing melodic sophistication and tonal exploration. By the time the band reaches album closer Lighthouse, theyve traversed so much sonic territory that the only appropriate tactic left at their disposal is a climactic crescendo, driven at its peak byCory Murchys thunderous bass. Not since Planet of Ices Lotus has the Bear achieved such an epic finale. All in all, its an album that reminds us of everything that made us fall in love with Minus the Bear in the first place, and a big part of that appeal is the sense that the band is heading into uncharted territories. Suicide Squeeze Records is proud to release VOIDS to the world on March 3, 2017 on CD, LP, and cassette. Nick Steinhardt designed the artwork and layout for all formats. The first pressing of the album is available on 5,000 copies of splatter colored vinyl and 5,000 copies of 180 gram black vinyl. The LP jacket features PMS inks, a die-cut cover with a printed inner sleeve and contains a download code. The cassette version is limited to 500 copies and includes a download code as we

at The Opera House
735 Queen Streeet East
Toronto, Canada

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